Nadia: I think the film is romantic and melancholy and foreboding. I think mystery is one of the themes in the film as well as a tone. Also reinvention is a theme. How can we move past things. Can we? And do we? All of the characters in the film are at a certain step of acceptance about their reality. Blindness is a theme.. what we choose to see. What we leave out….
Nadia: I felt like there was a kind of woman that I wasn’t seeing represented on screen. I wanted a young female character whose motivations weren’t entirely clear. You really have to stick with her to the very end in order to learn about her.
Nadia: Mak acts as a bit of a bridge between the Management Men (forest rangers) and the US film crew. He doesn’t belong where he is. Sweetpea doesn’t belong where she is in her life. There are a lot of clues in the film as to why Mak is in the forest. Some people have had to watch the film more than once to see them. But they are there!
Nadia: Yes Signe helps Sweetpea learn for sure… that is very true. Signe represents a dead end. Someone who was suppose to be a scapegoat or an antagonist. But her involvement to the real mystery is but a piece. It is ultimately irrelevant information. I also see Signe as someone Sweetpea could end up becoming. Signe is an option for how Sweetpea could live her life. But Sweetpea might want something else for her life…. Or maybe not! You have to see the film!
Nadia: I think it is all of those things. Hopefully our ambiguity is earned. I think it is. Meaning that rewatching the film brings new clues to light. We don’t solve every mystery overtly but I promise you there are answers in the film. It is not obtuse. We developed it for 5 years and I tried to delicately balance what was mysterious vs what answers are given. Film should engage with an audience. It should not tell you what you are seeing, it should build enough elements: plot, visual language, music, setting, actors to engage you to participate with it. The audience is the final author of a film.
Nadia: From acting I learned about being on set. The rhythm. The adjustments one has to make. I learned about pacing oneself and energy conservation. Also because of acting I have deep empathy for what actors go through. I’m protective of them because they are the most vulnerable. Lighting and aesthetics are very important to me as a director. It is a visual medium but at the end of the day actors are number one!
Nadia: Let it cast its spell on you.
Interview by Cathleen MacDonald
Cathleen MacDonald is a writer and filmmaker.